Sleek and fast yet classy with the mojo and tone – the Suhr Rasmus S100. Popular as a “deluxe” custom guitar with 5A grade Quilted Maple and Flame Maple tops and matching figured headstock, the Standard can also be stripped down as a no-frills gigging workhorse guitar that performs like no other axe night after night.
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The Road Worn Player Stratocaster guitar has an alder body with a lightly worn lacquer finish, modern “C”-shaped maple neck with lightly worn urethane finish, maple fretboard with 9.5” radius and medium jumbo frets, Texas Special™ single-coil pickups, five-way switching, aged knobs and switch tip, three-ply pickguard and vintage-style synchronized tremolo bridge.
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The Jackson Dinky™ DKXT has an arch-top basswood body (quilt maple veneer on Trans Red finish), bolt-on maple neck and passive EMG® HZ H4-AN (neck) and H4-B (bridge) humbucking pickups that deliver well-balanced tone with tight bass, glassy mids and crunching highs. Its bound compound-radius rosewood fingerboard curves more dramatically at the nut for easy chording and flattens out as it approaches the neck joint for low-action bends without fretting out. Other features include 24 jumbo frets, three-way pickup switching and TonePros® fully adjustable bridge with through-body strings for thick sustain.
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The Modern Player Jaguar® is a lean, mean and stripped-down version of the classic Fender model, with a full-throated pair of single-coil Modern Player MP-90 pickups on a sans-pickguard mahogany body. Other features include a C-shaped maple neck, rosewood fretboard with 9.5” radius and 21 medium jumbo frets, three-way toggle pickup switching, Jazz Bass®-style control knobs, vintage-style Adjusto-Matic™ bridge with anchored tailpiece, vintage-style tuners and nickel/chrome hardware.
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The SE Custom Semi-Hollow has the same basic appointments as the SE Custom – mahogany back, maple top, 22-fret wide-fat mahogany neck, rosewood fingerboard and SE humbucking pickups. The addition of a hollow chamber and modern f-hole give it a musical midrange and internal reverb that make this a very light, comfortable and versatile guitar.
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The SG Special brings all of this great guitar’s attributes to a no-nonsense package that’s heavy on tone, but easy on the budget. All of the real-deal tonewoods, construction, and playability are here, along with the classic hardware complement and an upgraded set of high-output Gibson Dirty Fingers humbucking pickups.
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One of the early “student” guitars found in North American Catalogs in the 1960s. This model was available under the brands of Airline, Supro, Kay and many others. This new Eastwood release is based on the original 1960′s AIRLINE Bighorn, it features an updated adjustable bridge, truss rod and the modern popular Diamond Argyle single coil pickups.
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In the early years of Fender, the Telecaster quickly became an everyman’s guitar because of its versatile sound, ease of playing and reasonable cost. The new Classic Vibe Telecaster ’50s in Butterscotch Blonde delivers on that original promise. Features include a gorgeous new Butterscotch Blonde finish on a pine body, and a vintage-tint gloss fast-action maple neck with 21 medium-jumbo frets and modern 9.5” fretboard radius.
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The Desolation Skatecaster SK-1 ST is a modernized take on the highly distinctive Charvel Surfcaster of the early 1990s, with a solid mahogany body and neck-through design. Features include a bound mahogany neck, compound radius (12”-16”) rosewood fingerboard with 24 jumbo frets and abalone “keystone” inlays, abalone body and headstock binding, EMG® 85 (neck) and 81 (bridge) active humbucking pickups with three-way toggle switching, single control knob (volume), Charvel bridge specially designed for compound-radius fingerboards, black nickel hardware, three-on-a-side locking Charvel tuners, and solid and trans finishes.
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